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HANS HOFMANN (1880-1966)

BIO DEL ARTISTA CONSULTARDESCARGAR PDF
 
Hofmann painted "Yellow Vase" just two years before his first solo exhibition at Art of This Century gallery in New York in 1944. This vibrant work is an impromptu study that examines the breakdown of form, which in 1942 was an evolving principle of Abstract Expressionism. Hofmann was a prominent teacher at this time, and his students included Helen Frankenthaler, Allan Kaprow, Michael Goldberg, and dozens of others. <br><br>"Yellow Vase" captures the dynamism of Hofmann's unique approach to representation and abstraction. His works' energy and movement would prove to be among his most significant contributions to 20th Century American Art.
Hofmann painted "Yellow Vase" just two years before his first solo exhibition at Art of This Century gallery in New York in 1944. This vibrant work is an impromptu study that examines the breakdown of form, which in 1942 was an evolving principle of Abstract Expressionism. Hofmann was a prominent teacher at this time, and his students included Helen Frankenthaler, Allan Kaprow, Michael Goldberg, and dozens of others. <br><br>"Yellow Vase" captures the dynamism of Hofmann's unique approach to representation and abstraction. His works' energy and movement would prove to be among his most significant contributions to 20th Century American Art. Hofmann painted "Yellow Vase" just two years before his first solo exhibition at Art of This Century gallery in New York in 1944. This vibrant work is an impromptu study that examines the breakdown of form, which in 1942 was an evolving principle of Abstract Expressionism. Hofmann was a prominent teacher at this time, and his students included Helen Frankenthaler, Allan Kaprow, Michael Goldberg, and dozens of others. <br><br>"Yellow Vase" captures the dynamism of Hofmann's unique approach to representation and abstraction. His works' energy and movement would prove to be among his most significant contributions to 20th Century American Art. Hofmann painted "Yellow Vase" just two years before his first solo exhibition at Art of This Century gallery in New York in 1944. This vibrant work is an impromptu study that examines the breakdown of form, which in 1942 was an evolving principle of Abstract Expressionism. Hofmann was a prominent teacher at this time, and his students included Helen Frankenthaler, Allan Kaprow, Michael Goldberg, and dozens of others. <br><br>"Yellow Vase" captures the dynamism of Hofmann's unique approach to representation and abstraction. His works' energy and movement would prove to be among his most significant contributions to 20th Century American Art. Hofmann painted "Yellow Vase" just two years before his first solo exhibition at Art of This Century gallery in New York in 1944. This vibrant work is an impromptu study that examines the breakdown of form, which in 1942 was an evolving principle of Abstract Expressionism. Hofmann was a prominent teacher at this time, and his students included Helen Frankenthaler, Allan Kaprow, Michael Goldberg, and dozens of others. <br><br>"Yellow Vase" captures the dynamism of Hofmann's unique approach to representation and abstraction. His works' energy and movement would prove to be among his most significant contributions to 20th Century American Art. Hofmann painted "Yellow Vase" just two years before his first solo exhibition at Art of This Century gallery in New York in 1944. This vibrant work is an impromptu study that examines the breakdown of form, which in 1942 was an evolving principle of Abstract Expressionism. Hofmann was a prominent teacher at this time, and his students included Helen Frankenthaler, Allan Kaprow, Michael Goldberg, and dozens of others. <br><br>"Yellow Vase" captures the dynamism of Hofmann's unique approach to representation and abstraction. His works' energy and movement would prove to be among his most significant contributions to 20th Century American Art. Hofmann painted "Yellow Vase" just two years before his first solo exhibition at Art of This Century gallery in New York in 1944. This vibrant work is an impromptu study that examines the breakdown of form, which in 1942 was an evolving principle of Abstract Expressionism. Hofmann was a prominent teacher at this time, and his students included Helen Frankenthaler, Allan Kaprow, Michael Goldberg, and dozens of others. <br><br>"Yellow Vase" captures the dynamism of Hofmann's unique approach to representation and abstraction. His works' energy and movement would prove to be among his most significant contributions to 20th Century American Art. Hofmann painted "Yellow Vase" just two years before his first solo exhibition at Art of This Century gallery in New York in 1944. This vibrant work is an impromptu study that examines the breakdown of form, which in 1942 was an evolving principle of Abstract Expressionism. Hofmann was a prominent teacher at this time, and his students included Helen Frankenthaler, Allan Kaprow, Michael Goldberg, and dozens of others. <br><br>"Yellow Vase" captures the dynamism of Hofmann's unique approach to representation and abstraction. His works' energy and movement would prove to be among his most significant contributions to 20th Century American Art. Hofmann painted "Yellow Vase" just two years before his first solo exhibition at Art of This Century gallery in New York in 1944. This vibrant work is an impromptu study that examines the breakdown of form, which in 1942 was an evolving principle of Abstract Expressionism. Hofmann was a prominent teacher at this time, and his students included Helen Frankenthaler, Allan Kaprow, Michael Goldberg, and dozens of others. <br><br>"Yellow Vase" captures the dynamism of Hofmann's unique approach to representation and abstraction. His works' energy and movement would prove to be among his most significant contributions to 20th Century American Art. Hofmann painted "Yellow Vase" just two years before his first solo exhibition at Art of This Century gallery in New York in 1944. This vibrant work is an impromptu study that examines the breakdown of form, which in 1942 was an evolving principle of Abstract Expressionism. Hofmann was a prominent teacher at this time, and his students included Helen Frankenthaler, Allan Kaprow, Michael Goldberg, and dozens of others. <br><br>"Yellow Vase" captures the dynamism of Hofmann's unique approach to representation and abstraction. His works' energy and movement would prove to be among his most significant contributions to 20th Century American Art. Hofmann painted "Yellow Vase" just two years before his first solo exhibition at Art of This Century gallery in New York in 1944. This vibrant work is an impromptu study that examines the breakdown of form, which in 1942 was an evolving principle of Abstract Expressionism. Hofmann was a prominent teacher at this time, and his students included Helen Frankenthaler, Allan Kaprow, Michael Goldberg, and dozens of others. <br><br>"Yellow Vase" captures the dynamism of Hofmann's unique approach to representation and abstraction. His works' energy and movement would prove to be among his most significant contributions to 20th Century American Art.
Jarrón amarillo19428 x 7 1/2 pulg.(20,32 x 19,05 cm) óleo sobre tabla
Procedencia
Colección privada, Brooklyn
Literatura
Catálogo razonado de pinturas de Hans Hofmann, vol. 2, pg 222, fig. P370

45,000

Hofmann pintó "Jarrón amarillo" sólo dos años antes de su primera exposición individual en la galería Art of This Century de Nueva York en 1944. Esta vibrante obra es un estudio improvisado que examina la descomposición de la forma, que en 1942 era un principio en evolución del expresionismo abstracto. Hofmann era un destacado profesor en esta época, y entre sus alumnos se encontraban Helen Frankenthaler, Allan Kaprow, Michael Goldberg y docenas de otros.

"Yellow Vase" capta el dinamismo del enfoque único de Hofmann sobre la representación y la abstracción. La energía y el movimiento de sus obras serían una de sus contribuciones más significativas al arte americano del siglo XX.
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